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Barnes Foundation Artwork Fresh Artists Outdoor Art Gallery Hung on the Barnes Construction Fence

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Art Museum, Horticulture in Pennsylvania, United states

The Barnes Foundation
Barnes Philly 1.JPG

The Barnes Foundation building on Franklin Parkway in Philadelphia, 2012

Barnes Foundation is located in Philadelphia

Barnes Foundation

Location of the Barnes Foundation in Philadelphia, Pennsylvania

Established 1922
Location 2025 Benjamin Franklin Parkway
Philadelphia, Pennsylvania, United States
Coordinates 39°57′38″N 75°10′22″W  /  39.9605°Northward 75.1727°Due west  / 39.9605; -75.1727
Type Art Museum, Horticulture
Key holdings Toward Mont Sainte-Victoire (Cézanne), Portrait of the Postman Joseph Roulin (Van Gogh), Le Bonheur de Vivre (Matisse)
Collections Impressionism, Postal service-Impressionism, Early Modern
Visitors 240,000 (2015)[1]
Director Thomas Collins[2]
Public transit access Bus transport SEPTA.svg SEPTA bus: seven, 32, 33, 38, 48, 49
Bus transport Philly PHLASH
Website barnesfoundation.org

The Barnes Foundation is an art collection and educational institution promoting the appreciation of fine art and horticulture. Originally in Merion, the fine art collection moved in 2012 to a new building on Benjamin Franklin Parkway in Philadelphia, Pennsylvania. The arboretum of the Barnes Foundation remains in Merion, where information technology has been proposed to exist maintained nether a long-term educational amalgamation agreement with Saint Joseph's University.[3]

The Barnes was founded in 1922 by Albert C. Barnes, who made his fortune by co-developing Argyrol, an antiseptic silverish chemical compound that was used to combat gonorrhea and inflammations of the eye, ear, nose, and pharynx. He sold his business, the A.C. Barnes Company, but months before the stock market place crash of 1929.

Today, the foundation owns more than than iv,000 objects, including over 900 paintings, estimated to be worth most $25 billion.[4] These are primarily works past Impressionist, Mail service-Impressionist, and Modernist masters, but the collection also includes many other paintings by leading European and American artists, likewise as African art, antiquities from China, Egypt, and Hellenic republic, and Native American art.[five]

In the 1990s, the Foundation'south declining finances led its leaders to various controversial moves, including sending artworks on a world tour and proposing to motility the collection to Philadelphia. After numerous court challenges, the new Barnes edifice opened on Benjamin Franklin Parkway on May xix, 2012.[6] The foundation's current president and executive director, Thomas "Thom" Collins, was appointed on January 7, 2015.

History [edit]

Albert C. Barnes [edit]

Original building in Merion

Albert C. Barnes began collecting art as early as 1902, but became a serious collector in 1912. He was assisted at outset past painter William Glackens, an old schoolmate from Central High School in Philadelphia. On an fine art buying trip to Paris, French republic, Barnes visited the home of Gertrude and Leo Stein where he purchased his start two paintings past Henri Matisse.[7] In the 1920s, Barnes became acquainted with the piece of work of other modern artists such as Pablo Picasso, Amedeo Modigliani and Giorgio de Chirico through his Paris art dealer Paul Guillaume.

On December four, 1922, Barnes received a charter from the Republic of Pennsylvania establishing the Barnes Foundation as an educational institution defended to promoting the appreciation of fine art and arboriculture. He purchased property in Merion from the American Civil State of war veteran and horticulturist Captain Joseph Lapsley Wilson, who had established an arboretum there in around 1880. He commissioned architect Paul Philippe Cret to design a complex of buildings, including a gallery, an assistants building, and a service building.[8] The Barnes Foundation officially opened on March 19, 1925.[7]

The primary building features several unusual Cubist bas-reliefs commissioned past Barnes from the sculptor Jacques Lipchitz. Elements of African art decorate the exterior wrought atomic number 26 and the tile piece of work created by the Enfield Pottery and Tile Works on the front portico of the edifice. Barnes congenital his dwelling house next to the gallery, which now serves as the administration edifice of the Foundation. His wife, Laura Leggett Barnes, adult the Arboretum of the Barnes Foundation and its horticultural education program in 1940.[9]

Art education programs [edit]

In 1908, Barnes organized his business, the A.C. Barnes Company, every bit a cooperative, devoting ii hours of the piece of work day to seminars for his workers. They read philosophers William James, Georges Santayana, and John Dewey.[10] Barnes also brought some of his art collection into the laboratory for the workers to consider and discuss. This kind of direct experience with art was inspired by the education philosophy of John Dewey and planted the seed that eventually grew into the establishment of the Barnes Foundation. The two met at a Columbia University seminar in 1917 becoming close friends and collaborators spanning more than than 3 decades.[7]

Barnes'due south conception of his foundation as a school rather than a typical museum was shaped through his collaboration with John Dewey (1859–1952). Similar Dewey, Barnes believed that learning should exist experiential.[11] The Foundation classes included experiencing original art works, participating in class discussion, reading about philosophy and the traditions of art, as well as looking objectively at the artists' use of low-cal, line, color, and space. Barnes believed that students would not only learn virtually art from these experiences but that they would also develop their own disquisitional thinking skills enabling them to become more productive members of a democratic society.[12]

The early education programs at the Barnes Foundation were taught in partnership with the University of Pennsylvania and Columbia University. The courses at Penn were first taught by Laurence Buermeyer (1889–1970), who held a philosophy PhD from Princeton, and afterward past Thomas Munro (1897–1974), a philosophy professor and one of Dewey's students.[12] Each served as the associate director of Didactics, while Dewey served in the largely honorary position of Director of Education.[12]

Some other collaborator was Violette de Mazia (1896–1988), who was born in Paris and educated in Belgium and England.[13] Originally hired to teach French to the Foundation staff in 1925, de Mazia became a close associate of Barnes, teaching and co-authoring four Foundation publications.[7] Afterward Barnes' death, she became a trustee and the Director of Education of the Art Department, continuing to express Barnes' philosophy in her teaching. The Violette de Mazia Foundation was so established later on her death, and in 2011 the Barnes Foundation came to an understanding with them to allow the de Mazia Foundation student access to the drove for art education after its move to the Parkway.[14] In 2015 notwithstanding, the de Mazia Foundation ceased its operations and was absorbed by the Barnes Foundation.[fifteen]

Barnes created detailed terms of operation in an indenture of trust to be honored in perpetuity later on his expiry. These included limiting public admission to two days a week, so the schoolhouse could use the fine art drove primarily for student study, and prohibiting the loan of works in the collection, colored reproductions of its works, touring the collection, and presenting touring exhibitions of other fine art.[xvi] Matisse is said to accept hailed the school every bit the but sane identify in America to view art.[17]

Post-Barnes era [edit]

External audio
audio icon How Philadelphia's Barnes Foundation Is Leveraging Analytics, 25:28, May 23, 2019, Knowledge@Wharton[18]

After a decade of legal challenges, the public was immune regular access to the drove in 1961. Public access was expanded to two and a half days a week, with a limit of 500 visitors per week; reservations were required past telephone at to the lowest degree two weeks in advance.[nineteen] Harold J. Weigand, an editor of The Philadelphia Inquirer, with the consent of, but not direct on behalf of, the Pennsylvania Attorney General, had filed an before arrange for access but been unsuccessful.[20]

Financial crisis [edit]

In 1992, Richard H. Glanton, president of the foundation, said the museum needed all-encompassing repairs to upgrade its mechanical systems, provide for maintenance and preservation of artworks, and improve security. The old Philadelphia firm J.S. Cornell & Son was the contractor of pick. In order to raise the money, Glanton decided to suspension some terms of the indenture. From 1993 to 1995, 83 of the collection's Impressionist and mail service-Impressionist paintings were sent on a world bout, alluring big crowds in numerous cities, including Washington, D.C.; Fort Worth, Texas; Paris; Tokyo; Toronto; and Philadelphia at the Philadelphia Museum of Fine art.[21] [22]

The revenue earned from the tour of paintings was still not plenty to ensure its endowment. By fall 1998, Glanton and beau board member Niara Sudarkasa were suing each other. Lincoln University, which according to the Barnes Foundation'south indenture, controlled four of the v seats on the board of trustees, began an investigation into the Foundation's finances. The Foundation'south board believed that a like investigation was warranted for activities during Glanton's tenure every bit president. In 1998 the board of directors began a forensic audit conducted past Deloitte, which was kept private for three years, somewhen released, and criticized Glanton's expenses and management.[23]

In 1998, Kimberly Camp was hired as the foundation's CEO and first arts professional to run the Barnes. During her seven-year tenure, she turned the struggling foundation effectually and provided necessary support to the petition to move the Barnes to Philadelphia.

Proposed move [edit]

On September 24, 2002, the foundation announced that it would petition the Montgomery County Orphans' Court (which oversees its operations) to allow the art collection to be moved to Philadelphia (which offered a site on the Benjamin Franklin Parkway) and to triple the number of trustees to 15. The foundation's indenture of trust stipulates that the paintings in the collection be kept "in exactly the places they are".[22]

The foundation argued that it needed to expand the board of trustees from 5 (4 of which were held by persons appointed past Lincoln Academy) to xv to increase fundraising. For the aforementioned reason, it needed to move the gallery from Merion to a site in Centre City, Philadelphia, which would provide greater public access. In its brief to the court, the foundation said that donors were reluctant to commit continuing fiscal resource to the Barnes unless the gallery were to become more accessible to the public.[24]

On December 15, 2004, after a two-year legal boxing that included an examination of the foundation'due south financial situation, Judge Stanley Ott ruled that the foundation could movement.[24] [25] Three charitable foundations, The Pew Charitable Trusts, the Lenfest Foundation and the Annenberg Foundation, had agreed to assistance the Barnes raise $150 million for a new edifice and endowment on the condition that the motility be approved.[26]

On June 13, 2005, the Foundation's president, Kimberly Camp, announced her resignation, to take event no subsequently than January 1, 2006. Camp had been appointed in 1998 with the goal of stabilizing and restoring the foundation to its original mission. During her tenure, she began the Collection Assessment Project, the first full-scale attempt to catalog and stabilize the artworks; brought in exemplary professional staff; created the fundraising program; restored Ker-feal and the Barnes Arboretum; and worked with the lath to approve policies and procedures to brand the foundation viable. In 2002, Dr. Bernard C. Watson began the proposal to motion the Barnes.[27]

The foundation pledged to reproduce Barnes'due south artistic arrangement of the artworks and other article of furniture within the new gallery to maintain the experience as he intended.[28]

Planning the motion [edit]

In August 2006, the Barnes Foundation appear that information technology was starting time a planning analysis for the new gallery. The lath selected Derek Gillman (formerly of the Pennsylvania Academy of the Fine Arts) as the new manager and president.[29] In June 2011, the foundation appear that it had surpassed its $200 million fund-raising goal, of which $150 million would go toward structure of the Philadelphia building and associated costs, and $l one thousand thousand to the foundation'due south endowment.[30]

The foundation proceeded with plans to build a new facility in the 2000 block of the Benjamin Franklin Parkway, well-nigh the Rodin Museum and the Philadelphia Museum of Art.[31] Tod Williams & Billie Tsien Architects of New York were lead architects of the edifice project. The building team also consisted of the Philadelphia-based house, Ballinger, as associate architect; OLIN as mural architect; and Fisher Marantz Stone as lighting designers. Aegis Property Group served as external project managers, with L. F. Driscoll equally construction managers. Projection executive Bill McDowell supervised and coordinated the project for the foundation.[32]

Construction for the new building began in fall, 2009 and the edifice opened in May, 2012. The new galleries were designed to replicate the calibration, proportion and configuration of the original galleries in Merion. Reviews have praised the new facility, claiming the boosted natural light has improved the viewing experience. The new site contains more than space for the foundation's art teaching programme and conservation department, a retail store, and cafe.[33] The building was designated LEED Platinum and received the 2013 AIA Institute Honour Laurels for Architecture, the 2013 Building Stone Institute Tucker Award, and the 2012 Apollo Award for Museum Opening of the Year.[34]

Legal challenges to the motion [edit]

Later on Gauge Ott's conclusion in 2004,[25] [35] The Friends of the Barnes Foundation and Montgomery Canton filed briefs in Montgomery County Orphan'due south Court to reopen the hearings that allowed the move. They hoped to persuade Ott to reopen the case considering of the changed circumstances in the canton. On May 15, 2008, Ott published an opinion dismissing the asking of both the Friends of the Barnes Foundation and the Montgomery County Commissioners to reopen the case due to lack of continuing. Congressman Jim Gerlach strongly supported keeping the Barnes in Merion.[36] [37]

On May xx, 2009, Friends of the Barnes Foundation appeared before the Commissioners of the Delaware River Port Say-so (DRPA) in Camden, New Bailiwick of jersey, to request that they reconsider their 2003 potency of a grant of $500,000 toward the plan to move the foundation. They contended there was insufficient evidence of substantial economic benefit to Philadelphia, and that DRPA had non undertaken necessary economic evaluation assessing the bear upon at both locations. They introduced a study by economist Matityahu Marcus that challenged the claimed benefits.[38] The DRPA said that information technology would consider the Friends' asking but did non alter its conclusion.[39] The history is chronicled in the HBO documentary The Collector.[40]

In late February 2011, The Friends of the Barnes Foundation filed a petition to reopen the case. A new hearing, set for March 18, was postponed until Baronial 3, 2011. The court ordered the foundation and the Attorney Full general'southward role, who argued in favor of the motility, to explain why the instance should not be reopened. The opposition group, Friends of the Barnes Foundation, says The Fine art of the Steal revealed that Ott did not have all the show in 2006, when he approved the art collection's motion.[41] On October vi, 2011, Judge Ott ruled that the Friends of the Barnes Foundation had no legal continuing and that there was no new information in the movie.[42] [43]

Afterward the move [edit]

After the move, the Barnes Foundation retained its buying of the building in Merion, using it every bit a storage space. In 2018, Saint Joseph's University took a 30-twelvemonth lease on the building and its adjoining arboretum at a cost of $100 a year, with Saint Joseph's University undertaking to pay the maintenance and security costs for the holding. The lease allows the university to hang its own artworks in the gallery infinite.[44]

Collection [edit]

The collection includes:

  • 181 paintings by Pierre-Auguste Renoir
  • 69 by Paul Cézanne
  • 59 by Henri Matisse
  • 46 by Pablo Picasso
  • 21 by Chaïm Soutine
  • eighteen by Henri Rousseau
  • 16 past Amedeo Modigliani
  • 11 by Edgar Degas
  • 11 by Giorgio de Chirico
  • 7 by Vincent van Gogh
  • 6 by Georges Seurat

Other European and American masters in the collection include Peter Paul Rubens, Titian, Paul Gauguin, El Greco, Francisco Goya, Édouard Manet, Jean Hugo, Claude Monet, Maurice Utrillo, William Glackens, Charles Demuth, Roger de La Fresnaye, Horace Pippin, Jules Pascin, and Maurice Prendergast. It likewise holds a variety of African artworks; aboriginal Egyptian, Greek, and Roman art; Native American works, American and European furniture, decorative arts and metalwork. The museum also holds several meaning works by cubist sculptor Jacques Lipchitz.

The collection displays unlike types of artworks co-ordinate to Barnes' methodology in "wall ensembles", often alongside hand-wrought fe, antique furniture, jewelry and sculpture, which allow comparison and study of works from diverse time periods, geographic areas, and styles.[45] [46]

Subsequently Barnes met Matisse in the United States, he commissioned The Dance II, a 45-past-15-foot triptych that was placed above Palladian windows in the main gallery infinite.[47] [48]

Notable holdings [edit]

  • Pablo Picasso, 1906, Seated Male Nude (1906)

  • Henri Matisse, Nature morte bleue (Blue Still Life) (1907)

  • Henri Matisse, Nonetheless Life with Gourds (Nature morte aux coloquintes) (1916)

Merion Arboretum [edit]

The original Barnes Foundation campus in Merion, Pennsylvania, is now a 12-acre arboretum open to the public for tours. The establish collection features favorite plants assembled by Mrs. Barnes for teaching purposes, and includes stewartia, aesculus, phellodendron, clethra, magnolia, viburnums, lilacs, roses, peonies, hostas, medicinal plants, and hardy ferns.[49] A herbarium and horticulture library is available to the Foundation's horticulture students and other scholars past appointment. Classes are offered in horticulture topics for the general public.

Films [edit]

  • Glenn Holsten: The Barnes Collection (2012)
  • Jeff Folmsbee: The Collector (2010)
  • Don Argott: The Art of the Steal (2009)
  • Alain Jaubert: Denizen Barnes: An American Dream (1993)

See too [edit]

  • Ker-Feal
  • Listing of sites of interest in Philadelphia
  • Listing of museums in Pennsylvania

References [edit]

  1. ^ "The Barnes Foundation 2015 Annual Report" (Printing release). The Barnes Foundation. Retrieved January 12, 2017.
  2. ^ "Thomas "Thom" Collins Named Executive Director and President of the Barnes Foundation" (Printing release). Barnes Foundation. January 7, 2015. Retrieved October four, 2017.
  3. ^ "SJU Announces Planned Educational Affiliation with Barnes Foundation". Saint Joseph'due south University News. November 3, 2017. Retrieved 7 December 2017. [ permanent dead link ]
  4. ^ "Barnes $25 Billion Fine art Trove, Boardroom Fight Drive Documentary". Bloomberg. Feb 26, 2010. Retrieved March 12, 2010.
  5. ^ "Collection Fact Canvas" in the Philadelphia Opening Press Kit, Barnes Foundation, 2012 https://world wide web.barnesfoundation.org/press/press-releases/move-press-kit-2012.
  6. ^ "Philly Home for Barnes Collection to Open May nineteen". September fifteen, 2011. Retrieved January 19, 2012.
  7. ^ a b c d "Biographical Note," Presidents Files, Albert C. Barnes Correspondence. The Barnes Foundation Athenaeum, 2012. https://www.barnesfoundation.org/whats-on/drove/library-archives/finding-aids.
  8. ^ "Historical Notation," Directors of the Arboretum, Joseph Lapsley Wilson, The Barnes Foundation Archives, 2012. https://www.barnesfoundation.org/whats-on/collection/library-archives/finding-aids.
  9. ^ "Historical Note," Directors of the Arboretum, Laura Leggett Barnes, The Barnes Foundation Archives, 2012. https://www.barnesfoundation.org/whats-on/collection/library-archives/finding-aids.
  10. ^ Laurence Buermeyer, "An Experiment in Educational activity", The Nation 120, 3119 (April 1925): 422–423.
  11. ^ John Dewey, Democracy and Education, (New York: The Free Press, 1966), 163.
  12. ^ a b c "Historical Note", Early Education Records, The Barnes Foundation Archives, 2012. https://www.barnesfoundation.org/whats-on/collection/library-archives/finding-aids.
  13. ^ Mary Ann Meyers, Fine art, Educational activity, & African-American Civilization: Albert Barnes and the Science of Philanthropy (New Brunswick: Transaction Publishers, 2004), 151.
  14. ^ "Barnes Foundation and Violette de Mazia Foundation announce joint education agreement", Mainline Media News, 16 November 2011, accessed 5 Apr 2013. http://www.mainlinemedianews.com/mainlinetimes/news/barnes-foundation-and-violette-de-mazia-foundation-announce-joint-education/article_61061247-7c09-58e6-95bc-5524c2ee5006.html
  15. ^ "Barnes, Violette de Mazia Foundations to Merge". Philanthropy News Digest. Apr twenty, 2015.
  16. ^ "In Re Barnes Foundation Comment this Instance 453 Pa. Superior Ct. 436 (1996) 684 A.2d 123". Justicia US Law. September ix, 1996. Retrieved 8 July 2017.
  17. ^ Russell, John (1999). Matisse: Father & Son. New York City: Abrams Books. p. 61.
  18. ^ "How Philadelphia'due south Barnes Foundation Is Leveraging Analytics". podcast and transcript. Wharton School of the University of Pennsylvania. May 23, 2019. Retrieved May 24, 2019.
  19. ^ Republic v. Barnes Found., 159 A.2d 500, 506 (Pa. 1960).
  20. ^ Wiegand v. Barnes Foundation, 97 A.2d 81 (Pa. 1953).
  21. ^ Kastner, Jeffrey (December 8, 1999). "Tired of Fighting: A New Director Is Trying To Plow Around the Embattled Barnes Foundation". Dalet Art. Retrieved September 13, 2007.
  22. ^ a b "Judge Orders Barnes Foundation To Share Inspect". FoundationCenter.org. April xxx, 2003. Retrieved September 12, 2007.
  23. ^ Blumenthal, Ralph (July ii, 2003). "Inspect Sharply Criticizes Fine art Institution's Dealings". The New York Times.
  24. ^ a b "Montgomery Court Approves Barnes Foundation Move". PhilaCulture.org. Dec fifteen, 2004. Archived from the original on August 9, 2011. Retrieved September 13, 2007.
  25. ^ a b In re Barnes Foundation, 25 Fiduc.Rep.2d 39, 69 Pa. D. & C.fourth 129, 2004 WL 2903655 (Pa. Com. Pl. 2004).
  26. ^ Anderson, John (2003). Art Held Earnest: The Battle over the Barnes Collection . W.W. Norton & Company. ISBN0-393-04889-6.
  27. ^ [ dead link ] "Barnes President To Go out by January". Philly.com. Retrieved September xiii, 2007.
  28. ^ Sozanski, Edward J. (May four, 2003). "Relocation Makes Sense, But It Would Be Wrong". Barnes Foundation. Archived from the original on 27 September 2007. Retrieved September 13, 2007.
  29. ^ "Barnes Foundation Announces the Appointment of Derek Gillman as Its New Executive Manager and President". Barnes Foundation. August seven, 2006. Archived from the original on 27 September 2007. Retrieved September 13, 2007.
  30. ^ "Barnes passes $200M mark for new home". June 28, 2011. Retrieved January nineteen, 2012.
  31. ^ Rybczynski, Witold (April 27, 2005). "Extreme Museum Makeover". Slate. Archived from the original on November 25, 2006. Retrieved September xiii, 2007.
  32. ^ "The Barnes Foundation Announces New Building on Benjamin Franklin Parkway To Exist Complete past 2011". October 16, 2008. Archived from the original on October 14, 2010. Retrieved Oct 20, 2009.
  33. ^ "The Barnes Foundation Announces a New Edifice on Benjamin Franklin Parkway To Be Complete by 2011" Archived 2010-10-fourteen at the Wayback Machine. Barnes Foundation.
  34. ^ "The Barnes Foundation – Tod Williams Billie Tsien Architects". Retrieved 2022-03-24 .
  35. ^ In re Barnes Foundation, 24 Fiduc.Rep.2d 94, 2004 WL 1960204 (Pa. Com. Pl. 2004).
  36. ^ "U.Due south. Representative Jim Gerlach's Statement Friends of the Barnes Lawsuit" (PDF). BarnesFriends.org. Retrieved September 13, 2007.
  37. ^ "United Political Front Asks PA Attorney General To Reopen Barnes Example" (PDF). BarnesFriends.org. Retrieved September 13, 2007.
  38. ^ "$500,000 Barnes Foundation grant questioned". LA Times Blogs - Culture Monster. 2010-08-xix. Retrieved 2017-07-09 .
  39. ^ "Friends of Barnes still trying to stop motility". Newsworks.org . Retrieved 2017-07-09 . [ permanent dead link ]
  40. ^ "THE COLLECTOR: Dr. Albert C. Barnes". Vimeo.
  41. ^ AP, "Gauge Sets Hearing Engagement in Barnes Foundation Example", reproduced at Friends of the Barnes Foundation Website
  42. ^ "Judge upholds Barnes Foundation's move to Philly". 6abc Philadelphia . Retrieved 2017-07-08 .
  43. ^ "Approximate Ott'due south Opinion and Lodge Dated Oct 6, 2011". Friends of the Barnes Foundation . Retrieved 7 Feb 2014.
  44. ^ Saint Joseph's Academy volition run original Barnes property in Lower Merion [1]
  45. ^ "A quiet suburb is abode to stunning Barnes Collection". tribunedigital-baltimoresun . Retrieved 2017-07-08 .
  46. ^ "Ensembles (Office one)". PBS LearningMedia . Retrieved 2017-07-08 . [ permanent dead link ]
  47. ^ "New Barnes Building Opens, Why People are Upset". artfagcity.com. sixteen May 2012.
  48. ^ Flam, Jack, Matisse: The Dance, National Gallery of Art, Washington, 1993.
  49. ^ "Merion". Barnes Foundation. Archived from the original on five October 2014. Retrieved 1 October 2014.

External links [edit]

  • Official website Edit this at Wikidata
  • 2018 Annual written report
  • Friends of the Barnes Foundation
  • Matityahu Marcus, "An Economist's Consideration of Delaware River Port Authority Funding for a Philadelphia Barnes Foundation Facility", Friends of the Barnes Foundation

Coordinates: 39°57′38″N 75°ten′22″Westward  /  39.9605°Northward 75.1727°Due west  / 39.9605; -75.1727

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Source: https://en.wikipedia.org/wiki/Barnes_Foundation

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